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Three for Five for Organ-Digital Download
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Three for Five for Organ-Digital Download
Three Preludes, intradas, and harmonizations on five hymn tunes. Preludes, intradas, a…
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Three Preludes, intradas, and harmonizations on five hymn tunes. Preludes, intradas, and harmonizations on five hymn tunes
Song List
: Barley Herzliebster Jesu Promise Repton Unser Herrscher
$20.95
19.44 €
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Three for Five for Organ-Digital Download
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SheetMusicPlus
Ars Organi
Organ
Organ - very easy to easy - Digital Download SKU: S9.Q46423 Complete theoretical…
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Organ - very easy to easy - Digital Download SKU: S9.Q46423 Complete theoretical and practical method for organ-playing in three parts. This edition: Sheet music. Das Standardwerk für den Orgelunterricht – jetzt in der Edition Schott lieferbar. Downloadable. Op. 1. Schott Music - Digital #Q46423. Published by Schott Music - Digital (S9.Q46423). German • English • French • Dutch • Spanish • Portuguese • Italian.Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises, and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist.
$34.99
32.46 €
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Organ
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Ars Organi
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Schott Music - Digital
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SheetMusicPlus
Ars Organi
Organ
Organ - intermediate to advanced - Digital Download SKU: S9.Q52078 Complete theo…
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Organ - intermediate to advanced - Digital Download SKU: S9.Q52078 Complete theoretical and practical method for organ-playing in three parts. This edition: Sheet music. Downloadable. Op. 3. Schott Music - Digital #Q52078. Published by Schott Music - Digital (S9.Q52078). French • English • Dutch • German.Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist.
$35.99
33.39 €
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Organ
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Ars Organi
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Schott Music - Digital
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.26 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Joyous Postludes for Organ
Organ
Organ 3-staff - Moderately Advanced - Digital Download Hymns and Trumpet Tunes. Composed…
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Organ 3-staff - Moderately Advanced - Digital Download Hymns and Trumpet Tunes. Composed by David Lasky. General, Sacred. Organ. 40 pages. Lorenz Publishing Company #70/2182L. Published by Lorenz Publishing Company
ISBN 9780787764999.
David Lasky has applied his signature writing style to two of the most popular genres in the church organist's repertoire: joyous hymn postludes and original trumpet tunes. This collection contains five postludes on familiar hymns and three original trumpet tunes. The trumpet tunes can be played by organ alone or with the inclusion of an optional instrumental trumpet.
$28.00
25.98 €
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Organ
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David Lasky
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Joyous Postludes for Organ
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SheetMusicPlus
One, Two, Three, Four, Five
Organ
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.505308 This…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.505308 This edition: scorch. E-Z Play Today. Children,Multicultural. Score. 1 pages. Published by Hal Leonard - Digital (HX.505308). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.77 €
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Organ
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One, Two, Three, Four, Five
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Hal Leonard - Digital
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SheetMusicPlus
Music for Organ
Organ
Organ - Digital Download SKU: S9.Q6265 Composed by Hermann Schroeder. This edition:…
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Organ - Digital Download SKU: S9.Q6265 Composed by Hermann Schroeder. This edition: Sheet music. Downloadable. Duration 9 minutes. Schott Music - Digital #Q6265. Published by Schott Music - Digital (S9.Q6265). Hermann Schroeder (1904-84) is one of the leading German organ composers of the 20th century. Music for Organ was written in 1984 and explores the possibilities of tonality: the three movements are written in different keys, namely five-, seven- and twelve-tone systems (pentatonic, heptatonic and twelve-tone melody). However, the music always relates to a tonal centre, and the contrasting keys add to its special appeal. A great piece for concerts and competitions.
$13.99
12.98 €
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Organ
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Hermann Schroeder
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Music for Organ
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Schott Music - Digital
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SheetMusicPlus
Good Friday: The Passion of the Lord (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-039E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Holy Week/Three Days, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-039E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-039E). English. Psalms 31.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
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Choral SATB
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Luke Mayernik
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Good Friday: The Passion of the Lord
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Holy Thursday: Evening Mass of the Lord's Supper (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-038E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Holy Week/Three Days, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-038E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-038E). English. Psalms 116.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
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Choral SATB
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Luke Mayernik
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Holy Thursday: Evening Mass of the Lord's Supper
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Third Sunday in Advent C (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-009E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Advent, 21st Century. 3 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-009E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-009E). English. Isaiah 12.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
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Choral SATB
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Luke Mayernik
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Third Sunday in Advent C
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Thirty-Second Sunday in Ordinary Time B (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-168E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-168E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-168E). English. Psalms 146.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
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Choral SATB
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Luke Mayernik
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Thirty-Second Sunday in Ordinary Time B
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Second Sunday of Lent C (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
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Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-027E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Lent, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-027E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-027E). English. Psalms 27.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
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Luke Mayernik
#
Second Sunday of Lent C
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MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Nativity of the Lord, Mass During the Day (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-016E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Advent, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-016E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-016E). English. Psalms 98.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Nativity of the Lord, Mass During the Day
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Thirty-Third Sunday in Ordinary Time C (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-172E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-172E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-172E). English. Psalms 98.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Thirty-Third Sunday in Ordinary Time C
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Sixth Sunday in Ordinary Time B (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-090E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-090E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-090E). English. Psalms 32.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Sixth Sunday in Ordinary Time B
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Thirteenth Sunday in Ordinary Time B (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-111E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-111E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-111E). English. Psalms 30.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Thirteenth Sunday in Ordinary Time B
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Thirty-First Sunday in Ordinary Time A (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-164E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-164E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-164E). English. Psalms 131.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Thirty-First Sunday in Ordinary Time A
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Eighth Sunday in Ordinary Time A (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-095E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-095E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-095E). English. Psalms 62.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Eighth Sunday in Ordinary Time A
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Tenth Sunday in Ordinary Time C (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-103E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-103E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-103E). English. Psalms 30.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Tenth Sunday in Ordinary Time C
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Second Sunday in Ordinary Time AB (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-078E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-078E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-078E). English. Psalms 40.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Second Sunday in Ordinary Time AB
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Third Sunday in Ordinary Time C (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-082E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-082E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-082E). English. Psalms 19.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Third Sunday in Ordinary Time C
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Twenty-Third Sunday in Ordinary Time B (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-141E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-141E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-141E). English. Psalms 146.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Twenty-Third Sunday in Ordinary Time B
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Twenty-Third Sunday in Ordinary Time C (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-142E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-142E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-142E). English. Psalms 90.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Twenty-Third Sunday in Ordinary Time C
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Third Sunday of Lent B (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-029E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Lent, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-029E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-029E). English. Psalms 19.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Third Sunday of Lent B
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Epiphany of the Lord (Downloadable)
Choral SATB
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium -…
(+)
Cantor, assembly, organ or piano, with optional guitar, SATB choir, and descant - Medium - Digital Download SKU: MQ.80-416-019E Composed by Luke Mayernik. Psalm Setting, Responsorial Psalm/Canticle Setting, Epiphany, 21st Century. 2 pages. MorningStar Music Publishers - Digital Sheet Music #80-416-019E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-416-019E). English. Psalms 72.From the collection The Five Graces Psalter: Lectionary Psalms. Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms. Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar. ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010. Vocal or instrumental descants enhance many refrains. Effective accompaniments for piano or organ, with optional guitar.
$2.50
2.32 €
#
Choral SATB
#
Luke Mayernik
#
Epiphany of the Lord
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
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